LAPT
London Academy of Professional Training
Certificate
Level 2-3
Foundation
LAPT Music and Performing Arts Centres
Certificate in Electronic Music Synthesis
REF: MU-EMP-F
Prerequisites
None
Awarding Body: LAPT — London Academy of Professional Training
Curriculum Overview
1
Creative Applications of Synthesis
Exploring Basic Waveforms and Sound Properties
5 classes
1.1 Understanding Basic Waveforms: Sine, Square, Sawtooth and Triangle
1.2 Exploring Sound Properties: Frequency, Amplitude, and Timbre
1.3 Comparing and Contrasting Waveforms: Visual and Auditory Analysis
1.4 Manipulating Waveforms: Simple Modulation Techniques
1.5 Applying Waveform Knowledge: Creating Basic Synth Patches
Introduction to Subtractive and Additive Synthesis
5 classes
2.1 Exploring the Basics of Subtractive Synthesis
2.2 Understanding Waveforms and Harmonics in Additive Synthesis
2.3 Comparing Subtractive and Additive Synthesis Techniques
2.4 Crafting Sounds with Subtractive Filters and Envelopes
2.5 Building Complex Sounds Using Additive Layering
Using Modulation for Dynamic Sound Design
5 classes
3.1 Understand the Basics of Modulation
3.2 Explore LFOs and their Impact on Sound
3.3 Apply Envelope Modulation for Dynamic Textures
3.4 Utilize FM Synthesis for Complex Modulations
3.5 Combine Modulation Techniques for Unique Sounds
Creative Applications of Sampling and Granular Synthesis
5 classes
4.1 Exploring the Basics of Sampling
4.2 Understanding Granular Synthesis Techniques
4.3 Creating Texture with Layered Sounds
4.4 Manipulating Samples for Creative Effects
4.5 Applying Granular Synthesis to Music Production
2
Performance Technology
Understanding Electronic Music Performance Tools
5 classes
1.1 Exploring Electronic Music Interfaces
1.2 Understanding MIDI and Its Role in Live Performance
1.3 Utilizing Synthesizers in a Performance Context
1.4 Integrating Effects and Processors for Live Sound
1.5 Configuring Digital Audio Workstations for Stage Use
Signal Flow and Audio Pathways
5 classes
2.1 Understanding Signal Flow in Electronic Music
2.2 Exploring the Components of an Audio Pathway
2.3 Analyzing the Route of Sound from Input to Output
2.4 Configuring Signal Paths for Optimal Performance
2.5 Troubleshooting Common Signal Flow Issues
Optimizing Live Performance Setups
5 classes
3.1 Understanding Key Components of Live Performance Setups
3.2 Configuring MIDI Controllers for Optimal Performance
3.3 Streamlining Software Setup for Live Environments
3.4 Managing Audio Interfaces and Signal Flow
3.5 Enhancing Live Performance with Effects and Automation
Integrating Visuals and Interactive Technologies
5 classes
4.1 Exploring the Role of Visuals in Electronic Music Performance
4.2 Understanding Interactive Technologies in Live Performances
4.3 Integrating Visuals and Audio: Techniques and Tools
4.4 Designing Interactive Experiences for Audience Engagement
4.5 Creating a Cohesive Audio-Visual Performance
3
Digital Audio Workstations (DAWs)
Understanding Digital Audio Workstations
5 classes
1.1 Exploring the DAW Interface: Navigating the Workspace
1.2 Understanding Tracks and Channels: Building the Foundation
1.3 Mastering MIDI and Audio Inputs: Capturing Sound
1.4 Applying Basic Editing Techniques: Shaping Your Sound
1.5 Exporting and Sharing Projects: Completing Your Digital Creation
Recording and Editing Audio
5 classes
2.1 Understanding Audio Signal Pathways in DAWs
2.2 Setting Up and Configuring Your DAW for Recording
2.3 Capturing Clean Audio: Techniques and Best Practices
2.4 Editing Basics: Trimming, Splitting, and Arranging Audio Clips
2.5 Applying Effects and Enhancements to Recorded Audio
MIDI and Virtual Instruments
5 classes
3.1 Understanding MIDI: Basics and Functionality
3.2 Navigating a DAW: Setting Up MIDI Devices
3.3 Exploring Virtual Instruments: Types and Uses
3.4 Editing MIDI Tracks: Techniques and Tools
3.5 Creating Music with Virtual Instruments: Practical Application
Mixing and Exporting in DAWs
5 classes
4.1 Understanding the Mixing Console in DAWs
4.2 Balancing Levels and Panning in a Mix
4.3 Applying EQ and Compression Techniques
4.4 Utilizing Reverb and Delay Effects Creatively
4.5 Exporting Your Project: Settings and Best Practices
4
Sound Design and Patch Creation
Fundamental Principles of Sound Design
5 classes
1.1 Understanding Waveforms: The Building Blocks of Sound
1.2 Exploring Frequency and Pitch in Sound Design
1.3 Shaping Sound: The Role of Amplitude and Volume
1.4 Harnessing Envelopes: Controlling Attack, Decay, Sustain, and Release
1.5 Creating Timbre: The Art of Using Filters and Modulation
Synthesizers and Signal Flow
5 classes
2.1 Understanding Synthesizer Components and Their Functions
2.2 Exploring Signal Flow in a Synthesizer Circuit
2.3 Altering Oscillators to Shape Sound Waves
2.4 Modulating Filters and Envelopes for Dynamic Sound Control
2.5 Crafting Custom Patches with Synthesizer Signal Paths
Techniques for Patch Creation
5 classes
3.1 Explore Basic Sound Waveforms
3.2 Understand Envelope Generators
3.3 Apply Modulation Techniques
3.4 Experiment with Filter Effects
3.5 Design a Unique Synth Patch
Advanced Modulation and Sound Transformation
5 classes
4.1 Explore LFO Techniques for Dynamic Sound
4.2 Harness Envelopes for Complex Modulation
4.3 Utilize FM Synthesis for Timbre Variation
4.4 Implement Advanced Waveform Manipulation
4.5 Apply Modulation to Transformative Sound Design
5
Introduction to Synthesis Techniques
Fundamentals of Sound and Waveforms
5 classes
1.1 Exploring the Nature of Sound Waves
1.2 Identifying Waveform Characteristics
1.3 Understanding Frequency and Pitch
1.4 Analyzing Amplitude and Dynamics
1.5 Applying the Basics of Wave Synthesis
Oscillators and Sound Generation
5 classes
2.1 Understanding Sound Waves and Oscillators
2.2 Exploring Types of Waveforms in Synthesis
2.3 Utilizing Frequency and Amplitude in Oscillators
2.4 Designing Sound with Subtractive Synthesis
2.5 Applying Modulation Techniques to Oscillators
Filters and Modulation Techniques
5 classes
3.1 Understand Filter Types and Their Functions
3.2 Explore Low-Pass and High-Pass Filters in Synthesis
3.3 Apply Band-Pass and Band-Stop Filters to Sound Design
3.4 Discover Modulation Sources: LFOs and Envelopes
3.5 Integrate Filters and Modulation for Dynamic Sound Creation
Programming Synthesizers and Sound Design
5 classes
4.1 Understanding Synthesizer Signal Flow
4.2 Exploring Oscillator Types and Waveforms
4.3 Shaping Sound with Filters and Envelopes
4.4 Modulating Sound using LFOs and EGs
4.5 Designing a Basic Synth Patch
6
Fundamentals of Electronic Sound
Understanding Sound Waves and Their Characteristics
5 classes
1.1 Exploring the Nature of Sound Waves
1.2 Analyzing Frequency and Pitch
1.3 Examining Amplitude and Volume
1.4 Investigating Waveforms and Timbre
1.5 Applying Sound Wave Characteristics in Synthesis
Fundamentals of Oscillators and Waveforms
5 classes
2.1 Exploring Oscillator Types and Their Characteristics
2.2 Understanding Waveforms: Sine, Square, and Sawtooth
2.3 Analyzing Amplitude and Frequency Modulation Techniques
2.4 Creating and Manipulating Sound with Oscillator Detune
2.5 Applying Oscillators in Sound Design Projects
Introduction to Synthesizer Components and Signal Flow
5 classes
3.1 Explore the Anatomy of a Synthesizer
3.2 Understand Oscillators and Waveform Generation
3.3 Examine Filters and Their Impact on Sound
3.4 Discover the Role of Amplifiers and Envelopes
3.5 Map the Signal Flow in a Synthesizer
Basic Sound Modulation Techniques
5 classes
4.1 Explore the Fundamentals of Sound Modulation
4.2 Understand Amplitude Modulation Techniques
4.3 Dive into Frequency Modulation Fundamentals
4.4 Discover the Role of Phase Modulation in Sound Design
4.5 Apply Modulation Techniques in Electronic Music Production
Assessment Breakdown
Passing Mark: 300 / 500 (60%)
How to Enrol
Website: lapt.org
Email: info@lapt.org
Phone: +44 7513 283044
Address: 85 Great Portland Street, W1W 7LT, United Kingdom
Hours: Monday – Friday, 9AM – 5PM